ABOUT

E L E N A C A R R

This practice focuses on the deconstruction of social phenomena: Carr analyzes universal moments of the social – from sleeping and swimming to complex communal systems – and transforms them into dialogical, expansive environments.

These catalysts for collective processes only reveal their full complexity through use. Employing play as a strategy, she translates questions about social dysfunctions and functionalities into performative experimental arrangements. Collaborations give rise to participatory structures that open up new agency – for example, in the installations set to music by Lorenz Schreiner. It is a poetic realism that defies smooth consumability in an old-fashioned and rebellious way.

At the heart of her practice is the principle of complicity: a conspiratorial mode of communication that consistently undermines the hierarchy between artist and recipient. Writing serves as the independent core of this approach, manifest in formats like lecture performances or the Gehschreibe developed with Jonas Carr.  On shared wanderings, this mobile tool invites participants to record thoughts and observations, turning the act of walking into a collective graphic protocol. In her text-image montages and large-scale book objects, interaction leaves physical traces. Aphorisms, narrations, and reflections manifest themselves on paper, fabric, or wood as collaged visual records of a shared moment.

To break down institutional barriers, Carr consciously employs the aesthetics of the provisional and the methods of showpeople and fairground operators. Her work is carefully unironed, providing a raw stage grounded in sharp poetic and conceptual precision. These performative settings position themselves politically through their radical accessibility and consistently invite use.

Text in collaboration with Leo Heinik (Ruine München, artistic assistant to Prof. Nicole Wermers)

SELECTED EXHIBTIONS & PRACTICE


PROFESSIONAL EXPERIENCE & EDUCATION