ABOUT

ELENA CARR

GERMAN, AUSTRALIAN

As a sculptor and performance artist, my focus lies in the activation of space and sculpture as a process, investigating universal moments of the social – from sleeping, swimming, and gestures in public space – often in collaborative formats.

Beginning with an engagement with space, I translate these observations into dialogical, expansive environments and use play as a strategy. Through performative experimental arrangements, my work approaches something old-fashioned and rebellious. Weaving together the poetic and the real, I create a mode of complicity that consistently undermines the hierarchy between artist and recipient.

Writing is the independent core of my approach, manifest in formats like lecture performances or the Gehschreibe (a mobile tool for collective graphic protocols). I draw on the aesthetics of the provisional and the methods of showmen and fairground operators, providing raw stages – carefully unironed, yet filled with sharp poetic and conceptual precision. If the private is political, so are these works: radically accessible, they consistently invite use (following a conviction central to feminist thought since the late 1960s).

Involved with projects in Munich, Vienna, Graz, Innsbruck, Regensburg, Berlin, Athens, London, Melbourne, Timișoara. Memberships: GEDOK Munich; griffelkunst-Vereinigung Hamburg; BBK München und Oberbayern.

Full text in German by Leo Heinik (Ruine München, artistic assistant to Prof. Nicole Wermers, AdBK Munich)

SELECTED EXHIBTIONS & PRACTICE


PROFESSIONAL EXPERIENCE & EDUCATION